雲端光景 — 儲存未來鹽水的想像
月津港，一座漂浮的資料港口，也是實體的雲端空間。
2026年月津港燈節以「雲端光景」為題，將整座河域視為漂浮於時空與數據流之間的開放場域，透過藝術家的參與，展開「想像的上傳」與「感知的體驗下載」。在此，「雲端」不僅是科技術語，更是一個由光、霧氣與藝術裝置構成的感知界面。藝術家把對鹽水未來的情感、人文歷史與自然景觀轉化為光與裝置，部署於這座虛實交錯的古城之中；當夜色與水霧交織，作品化為訊號般的光景，使鹽水的未來在此刻被重新生成。觀眾漫步其間，以身體與感官下載屬於自己的光景，帶走一段與鹽水共同想像的未來。
Cloudscape — Storing the Imagination of Yanshuei’s Future
Yuejin Harbor is a floating data port — a tangible cloud space.
The 2026 Yuejin Lantern Festival takes “Cloudscape” as its theme, viewing the entire river as an open realm suspended between time, space, and flowing data. Through the participation of both artists and visitors, the festival unfolds an “uploading of imagination” and a “downloading of sensory experience.” Here, the “cloud” is not merely a technological term but a perceptual interface shaped by light, mist, and art installations. Artists transform their reflections on Yanshuei’s culture, history, and natural landscape into luminous works dispersed across this old town where the virtual and the physical intertwine. As nightfall meets drifting mist, each artwork emerges as a signal-like lightscape, allowing Yanshuei’s future to be regenerated in the present moment. Wandering through the space, visitors “download” their own sensory encounters, carrying with them a future imagined together with Yanshuei.
exhibition info:
展覽資訊
𝟮𝟬𝟮6 月津港燈節 - 雲端光景
展期｜2026/2/7 (六)~2026/3/8 (日)
指導單位｜文化部
主辦單位｜臺南市政府
全案統籌策劃執行 | 都市藝術工作室
策展規劃執行｜都市藝術工作室 UrbanART Studio
藝術總監 | 杜昭賢
專案經理 | 葉書維
展務規劃 | 盧俊強、林品毅、鄭慧盈
媒體宣傳 | 高辰寧
全案設計及延伸 | 路徑規劃設計 Path & Landforms
專案執行 | 盧俊強、林品毅、鄭慧盈
影片製作 | 調視映画、存在映像
攝影團隊 | 戴倫製圖
主視覺設計 | 袁文生
artworks:
A01 浮光流雲 Floating Light, Drifting Clouds
創作者｜都市藝術工作室
Creator｜Urban Art Studio
創作理念｜
作品以流動的光象徵鹽水信仰與文化能量的再度聚合。由上百顆燈籠構成的光體漂浮於河面，隨夜風閃爍，如雲霧般連接港道。觀眾穿行其間，仿佛進入一座由資料與記憶編織的雲端節點，光線在水面反射、交錯成河，讓人同時感受到傳統與未來的交會。此作品以光為語言，邀請人們在體驗中重新下載屬於鹽水的集體記憶。
作品由策展單位「都市藝術⼯作室」創作，多年⽉津港策劃執⾏經驗下，已經在此場域創造了地標型作品，成為來訪⺠眾必訪景點。除了延續以往燈籠形式外，今年更加⼤作品尺幅，加深⼤家對此件作品的印象。
Design concept｜
This work uses flowing light as a symbol of the renewed convergence of Yanshuei’s spiritual beliefs and cultural energy. Hundreds of lanterns form a luminous body floating upon the river, flickering with the night breeze and linking the waterway like drifting clouds and mist. As visitors pass through, they seem to enter a cloud node woven from data and memory. Light reflects and interlaces upon the water, forming a river of light where tradition and the future meet. Through light as its language, the work invites people to rediscover and reconnect with Yanshuei’s collective memory.
Created by the curatorial team Urban Art Studio, this work has become a landmark within the Yuejin Lantern Festival site through years of planning and execution. While continuing the familiar lantern form, this year’s enlarged scale further deepens its visual impact and lasting impression.
A02 旅人 - 往返的身體 The Traveller – A Body in Transition
創作者｜阿部乳坊 （日本）
Creator｜Abe Nyubo （Japan)
創作理念｜
「穿上衣裳的真理覺得事實繃得太緊。在想像中，她自在地活動。」
-摘自泰戈爾《漂鳥集》
漂浮於水面的旅人彷彿剛從另一個世界降落。光線映照著他的軀體，倒影在水中形成第二個自己，虛實交疊。觀眾繞行其側，能感受到他似乎仍在前行 — 穿越空氣、穿越雲端、穿越我們所熟悉的現實邊界。此作品以「身體」為感知介面，探討人類在數位與真實之間的流動與重疊，回應「雲端光景」對當代存在狀態的提問：在虛與實之間，我們的身體究竟安放於何處？
阿部乳坊 (Abe Nyubo) 出生於日本新潟縣，畢業於日本金澤美術工藝大學美術科雕塑組，以及國立臺灣藝術大學雕塑學系研究所，現以台灣為創作據點，對身體的擴張性及其象徵意義深感興趣，並探討數位空間與現代社會中的「擴張身體」及「可能世界」等主題。
Design concept｜
"Truth, when put on its dress,finds the facts too tight.In imagination she moves at ease."
— Rabindranath Tagore, Stray Birds
The traveller floating on the water appears as if he has just descended from another world. Light illuminates his body, while his reflection forms a second self upon the surface, where reality and illusion overlap. As viewers circle around him, they sense that he is still moving forward — through air, through clouds, and beyond the boundaries of the reality we know. Using the body as an interface of perception, the work explores the fluid overlapping of the digital and the real, responding to the Cloudscape theme by asking: between virtual and reality, where does our body truly belong?
Abe Nyubo, born in Niigata, Japan, graduated from the Sculpture Department of Kanazawa College of Art and later from the Graduate Institute of Sculpture at the National Taiwan University of Arts. Now based in Taiwan, he is deeply interested in the expansion of the body and its symbolic meanings, exploring themes such as the “extended body” and “possible worlds” within digital space and contemporary society.
A03 天馬獸 Celestial Pegasus
創作者｜森岡厚次&京都藝術大學
Creator｜Koji Morioka & Kyoto University of the Arts
創作理念｜
一頭來自雲端的神獸，靜靜駐留於水面之上。半透明的和紙光體散發柔亮光暈，彷彿夢想在夜色中緩緩成形。牠的獨角象徵理想與科技的交融，翅翼如雲層般開展，映照在河面，形成上下兩個時空的鏡像。觀眾在光影間仰望，彷彿看見信仰的形體被轉譯為未來的符號。《天馬獸》讓傳統的神話化為當代的想像能量，展現「雲端光景」中信仰與創造力共構的光之生物。
出生於日本京都的森岡厚次 (Koji Morioka)，帶領京都藝術大學學生共同製作，作品使用透光的日本和紙，創作融合日本傳統元素、自然題材與當代人文思維的立體雕塑作品，現任教於日本京都藝術大學。
Design concept｜
A mythical beast from the clouds rests quietly upon the water. Its translucent washi body emits a gentle glow, as if a dream were slowly taking shape in the night. The single horn symbolizes the fusion of ideals and technology, while its wings spread like layers of cloud, mirrored upon the river’s surface to form two parallel realms. Gazing upward through light and shadow, viewers seem to witness belief transformed into a symbol of the future. Celestial Pegasus turns traditional mythology into contemporary imaginative energy, revealing a luminous creature co-created by faith and creativity within Cloudscape.
Born in Kyoto, Japan, Koji Morioka leads students from Kyoto University of the Arts in the creation of works using translucent Japanese washi paper. His sculptures blend traditional Japanese elements, natural themes, and contemporary cultural thought. He currently teaches at Kyoto University of the Arts.
A04 光・蜂炮 Phang-á-pàu of Light
創作者｜黑川互動媒體藝術
Creator｜Peppercorns Interactive Media Art
創作理念｜
雷射與聲音在空氣中交錯，光束如蜂炮般迸裂，散成無數細碎的記憶。觀眾站在光牆之中，能感受到身體被聲波震盪，霧氣流動、光線折射，每一次閃爍都像在時間裡留下殘影。這是一場關於記憶的再啟動，蜂炮的能量被重構為雲端中的共振資料，成為可被感知的數位儀式。作品將傳統慶典轉譯為當代的「光之節點」，使觀眾成為儀式的一部分，體驗地方信仰如何在科技中持續燃燒。
創作團隊「黑川互動媒體藝術」為台灣媒體藝術團隊，以獨特影像敘事與沉浸式互動體驗見長。2025年受邀參與捷克布拉格與羅馬尼亞的科技藝術節，將台灣的創意能量推向國際舞台。
Design concept｜
Lasers and sound intersect in the air, bursting with the intensity of firecrackers and scattering into countless fragments of memory. Standing within these walls of light, visitors feel the vibration of sound waves as mist flows and beams refract, each flicker leaving an afterimage suspended in time.
This work reinterprets the traditional "Phang-á-pàu" (Yanshuei Beehive Fireworks), a chaotic yet sacred Taiwanese ritual used to ward off evil. It transforms that explosive energy into resonant data within the cloud, creating a perceivable digital ritual. By translating this folk celebration into a contemporary "node of light," the work immerses audiences in an experience where local belief continues to burn through technology.
About the Team Peppercorns Interactive Media Art is a prominent Taiwanese new media art collective, recognized for its immersive interactive experiences and distinctive visual storytelling. In 2025, the team has been invited to exhibit at major technology art festivals in Prague and Romania, bringing Taiwan’s creative energy to the international stage.
A05 流域No.6：河 Flux No.6: River
創作者｜邱杰森 & 莫珊嵐
Creator｜Chiehsen Chiu & Margot Guillemot
創作理念｜
沿著河岸延展的光之結構，似雲亦似氣流，懸浮在水面上，隨風而動。當光影在水面閃爍，現實與倒影彼此交疊，形成一條介於自然與數據之間的界線。觀眾在岸邊凝視時，彷彿看見能量在河道中流動，光線成為資料的軌跡，將自然的呼吸轉化為資訊的節奏。作品以光作為媒介，揭示科技與自然的互滲關係，使雲端的展覽主題具體化於鹽水的水域之上。
藝術家暨獨立策展人邱杰森，目前也是元智大學藝術與設計學系專任助理教授，創作以人文地理及地圖繪製創作研究為主。莫珊嵐（Margot Guillemot)則是出生於愛爾蘭科克的法國人，現就讀國立台灣藝術大學當代視覺文化博士班。作品常討論當代都市生活裡現實與虛擬、空間與時間的相互矛盾關係。
Design concept｜
A luminous structure extending along the riverbank, resembling drifting clouds or flowing air currents, floats upon the water and moves with the breeze. As light shimmers on the surface, reality and reflection overlap, forming a boundary between nature and data. Gazing from the shore, viewers perceive energy flowing through the river, as light becomes a trajectory of information, transforming nature’s breath into a rhythm of data. Using light as its medium, the work reveals the interwoven relationship between technology and nature, embodying the Cloudscape theme upon the waters of Yanshuei.
Artist and independent curator Chiehsen Chiu is also an assistant professor at the Department of Art and Design, Yuan Ze University, focusing on cultural geography and cartographic studies in his work. Margot Guillemot, a French artist born in Cork, Ireland, is currently pursuing a PhD in Contemporary Visual Culture at the National Taiwan University of Arts. Their works often explore the contradictions between reality and virtuality, space and time in contemporary urban life.
A06 流動的路徑 Flowing Pathways
創作者｜無邊製造
Creator｜No Side Here
創作理念｜
沿著水岸延展的光線如同記憶的流動軌跡，在黑夜中緩緩閃爍。作品取材自鹽水傳統的鴿笭文化，將昔日天空中的嗡鳴聲轉譯為河面上的光之語言。當觀眾提起互動竹簍，光的路徑隨之生成，仿若一場即時的數據運算。光與聲在河道上延伸、分岔、回流，象徵人與環境之間的感知交換，此作品讓觀眾的每一次觸發都有了訊息的即時回饋，鴿笭宛如以光速來回在過去與未來之間。
藝術團隊「無邊製造」（林俊遑、黃紀虹、鄭子芸）專注於聲光裝置藝術與體感互動的開發，關注日常中無感訊息如何與環境與人文產生連結，並透過藝術實踐促進彼此之間的對話與共鳴。作品曾獲全國美展新媒體類首獎、新北市美展科技藝術類金獎、南瀛獎與洄瀾獎優選等肯定。
Design concept｜
Lines of light stretch along the riverbank like the drifting traces of memory, glowing softly in the darkness. Inspired by Yanshuei’s traditional pigeon whistle culture, the work translates the former hum of the sky into a language of light upon the water. When visitors lift the interactive bamboo basket, pathways of light are generated in real-time, like live data computation. Light and sound extend, diverge, and return along the river, symbolizing the exchange of perception between humans and their environment. Each interaction becomes a moment of immediate feedback, as if the pigeons travel at the speed of light between past and future.
The art collective No Side Here (Lin Jun Huang, Huang Chi Hung, and Cheng Tzu Yun) focuses on sound-and-light installations and interactive sensory experiences, exploring how overlooked signals in everyday life connect with environment and culture, encouraging dialogue and resonance through artistic practice.
A07 稻荷九尾白狐降臨 The Descent of the Inari Nine-Tailed White Fox
創作者｜夏愛華
Creator｜Hsia Ai Hua
創作理念｜
白狐靜靜佇立於霧氣與光影之間，九條尾巴如羽翼般展開，閃耀著微微的光。牠既是守護神，也是能量的化身，穿越雲端降臨人間，守望著流光溢彩的月津港。作品以氣膜結構塑造柔軟而發光的身體，展現靈性與科技的共生。當觀眾靠近時，光影隨氣流起伏，彷彿呼吸般與人對話。以神話作為媒介，將信仰的象徵轉化為雲端時代的精神能場，遙望背景的寺廟，婉如日式神社的錯覺。
藝術家暨策展人夏愛華，國立台灣藝術學院雕塑系畢業，日本沖繩縣立藝術大學環境造型研究所碩士。曾多次參與台日交流展，並獲國家藝文基金會及台北市文化局補助，2023年入選日本「國際漆展・石川」當代藝術類。
Design concept｜
A white fox stands quietly amid mist and light, its nine tails spreading like wings and emitting a gentle glow. Both a guardian and an embodiment of energy, it descends from the clouds into the human world, watching over the shimmering Yuejin Harbor. Shaped with inflatable structures, its luminous body evokes a coexistence of spirituality and technology. As visitors approach, the light fluctuates with the airflow, as if breathing in dialogue with humanity. Using mythology as its medium, the work transforms belief into a spiritual energy field for the cloud era, creating an illusion reminiscent of a Japanese shrine against the backdrop of nearby temples.
Artist and curator Hsia Ai Hua graduated from the Department of Sculpture at the National Taiwan University of Arts and earned a master’s degree in Environmental Design from Okinawa Prefectural University of Arts. She has participated in numerous Taiwan–Japan exchange exhibitions and has received grants from the National Culture and Arts Foundation and the Taipei City Government.
A08 雲瀑 Cloudfall
創作者｜王振瑋
Creator｜Wang Zhen-Wei
創作理念｜
從橋側傾瀉而下的彩色光帶，如同一場懸浮的瀑布，將橋梁與水面連為一體。白天反射日光、夜晚則化為流動的數據之河，色彩隨風變化，閃爍如電流。作品以日常建材重組自然的動勢，讓「瀑布」成為科技與環境之間的轉譯介面。當觀眾穿越橋面，光流在腳下閃動，彷彿跨越真實與雲端之間的界面。此作品讓時間、記憶與資訊在水與光之間共流，展現不斷更新的資訊洪流。
以大型藝術裝置為特色的藝術家王振瑋，作品深入探討人文與環保的關聯。透過對日常媒材的巧妙應用，常融合金屬、木材、甚至布料與繩索，打造出充滿環保與美感的作品；並在詩意中鼓勵觀者參與並與作品互動，形成一種獨特的體驗。現為國立彰化師範大學美術系兼任講師。
Design concept｜
A cascade of colorful light pours down from the bridge, forming a floating waterfall that connects the bridge and the water. By day it reflects sunlight, and by night it transforms into a flowing river of data, its colors shifting like electrical currents. The work reassembles everyday materials to reinterpret the dynamics of nature, allowing the “waterfall” to become an interface between technology and environment. As visitors cross the bridge, light flows beneath their feet, as if traversing the threshold between reality and the cloud. Time, memory, and information converge within water and light, revealing an ever-renewing stream of data.
Specializing in large-scale installations, Wang Zhen-Wei explores the relationship between humanity and the environment through innovative use of everyday materials such as metal, wood, fabric, and rope. His works often encourage interaction, creating poetic yet thought-provoking experiences. He currently teaches as an adjunct lecturer at National Changhua University of Education.
A09 光電獸#46 - 霧幻光景 An Electronic #46 – Misty Lightscape
創作者｜姚仲涵 + VISION BASE
Creator｜ Yao Chung Han + VISION BASE
創作理念｜
作品以霧氣與光為核心語言，將自然現象轉化為數位感知的劇場。霧氣在水面上擴散，燈光穿透其中形成層層光域，光束與霧粒相互作用，生成不斷變幻的影像。作品的聲音取樣自鹽水蜂炮，轉化為電聲節奏，使能量在空氣中震動。沿著水岸行走於霧光之間，如同進入一個可呼吸的數據雲層。此作延續藝術家對「聲光共構感知」的探索，將傳統能量祭儀轉譯為雲端時代的「光之儀式」。
姚仲涵曾獲臺北美術獎優選(2017)，專注於戶外裝置與聲響、光影的交互實驗。作品融合音樂節奏與現地空間，探索聲音塑造感知與敘事的節奏。代表作包括《光電獸》系列等多件大型戶外聲光裝置，現職為實踐大學建築設計學系副教授兼系主任。VISION BASE 是實踐大學設計系學院創新實作基地，以前衛、務實與實驗精神面向未來設計，推動跨域合作與研究創新。
Design concept｜
Centering on mist and light, this work transforms natural phenomena into a theatre of digital perception. As mist spreads across the water, light pierces through to form layered luminous fields, creating constantly shifting imagery. The sound samples derive from the Yanshuei firecracker ritual, converted into electronic rhythms that vibrate through the air. Walking along the shoreline within the fog and light feels like entering a breathable data cloud. Continuing the artist’s exploration of “audiovisual co-constructed perception,” this work turns traditional energy rituals into a contemporary “ritual of light” for the cloud era.
Yao Chung Han has received recognition such as the Taipei Art Awards (2017) and specializes in outdoor installations combining sound, light, and spatial experimentation. He is currently Associate Professor and Chair of the Department of Architecture at Shih Chien University. VISION BASE is an innovative practice hub at Shih Chien University’s College of Design, dedicated to forward-thinking, practical, and experimental approaches to future design, fostering cross-disciplinary collaboration and research-driven innovation.
A10 波光粼粼 - 維度遊蕩 Ribbon bridge
創作者｜陳婉宜 & 吳冠葳
Creator｜Chen Wan Yi & Wu Kuan Wei
創作理念｜
作品透過光的流動開啟了通道的入口，一座四股螺旋的光之通道橫亙於河道之間，側看如一座連接兩地的橋體。觀眾以視覺穿越其中，彷彿走入時空縫隙。光與霧在結構間交織，空間在視角轉換中扭轉。作品以半透帆布營造穿透感，仿若置身於不同維度的通道。將過去與未來的疊加態，以參數的造型設計模擬一場關於時空、記憶的探索。
具工藝、工業設計背景的陳婉宜，曾獲工藝設計類金點新秀設計獎、台北天空創意節創新組首獎；具空間及景觀設計背景的吳冠葳，則曾入圍 2025年台北天空創意藝術節的潛力新銳組。
Design concept｜
Through the flow of light, the work opens an entrance to a passageway. A four-strand spiral corridor of light stretches across the river, appearing from the side like a bridge connecting two shores. Viewers traverse it visually, as if stepping into a fissure in time and space. Light and mist weave through the structure, while the spatial perception twists and shifts with changing perspectives. Semi-translucent canvas is used to create a sense of permeability, evoking the feeling of being within a passage between different dimensions. By overlaying past and future, and translating this layered state through parametric form design, the work simulates an exploration of spacetime, and memory.
Chen Wan Yi, with a background in craft and industrial design, has received awards such as the Young Pin Design Award in the craft category and first prize in the Innovation Group of the TNH Creative Festival. Wu Kuan Wei, specializing in spatial and landscape design, was shortlisted for the Potential New Talent category of the 2025 TNH Creative Festival.
A11 永動的瞬間 The Everlasting Motion
創作者｜有用主張
Creator｜UxU Studio
創作理念｜
在流動的光線之中，時間正緩緩流動。作品以弧形的金屬結構與LED光帶組成，看似凝結於某個瞬間，卻在細微的閃爍中持續變化。月的形體在水面倒映，映出孩童的輪廓與對視的剪影，象徵未被言說的未來與記憶的回聲。觀眾站在光影之間，能感受到「永恆」其實由無數短暫的片刻構成。這是一個靜默卻富含張力的裝置，使人思索存在的節奏，以及光如何在時間的流動中留下自身的形跡。
「有用主張」UxU Studio 由陳冠宏與陳映竹於2013年共同創立，活躍於國內外許多藝術節及燈節展覽活動，包括多屆的月津港燈節及臺灣燈會，更於2017年成為華語國家第一個參與荷蘭阿姆斯特丹燈節的團隊，並受邀於英國倫敦、利物浦，瑞典哥德堡、諾貝爾博物館，沙烏地阿拉伯等國際光藝術節展出創作，積極將台灣之「光」推向國際。
Design concept｜
Within flowing light, time moves slowly onward. Curved metal structures and LED strips form a moment that appears frozen yet subtly changes through delicate flickers. The moon’s reflection upon the water outlines the silhouette of a child and a mutual gaze, symbolizing the unspoken future and echoes of memory. Standing within this interplay of light and shadow, viewers realize that “eternity” is composed of countless fleeting moments. This serene yet powerful installation invites contemplation of existence and how light leaves traces within time’s continuous flow.
UxU Studio, founded in 2013 by Chen Kuan Hung and Chen Ying Chu, actively participates in domestic and international light festivals. It became the first team from the Chinese-speaking world to exhibit at the Amsterdam Light Festival in 2017 and has since been invited to festivals across Europe and the Middle East, bringing Taiwan’s light art onto the global stage.
A12 畫河-月津 Draw A River – Yuejin
創作者｜莊志維
Creator｜ Chuang Chih Wei
創作理念｜
《畫河-月津》是一件強調公眾參與的現地製作的互動光影裝置。裝置作品設置於月津港岸邊，作品如同一軸白色卷軸，沿著河流蜿蜒的岸邊展開，靜靜等待著被書寫與介入。展覽期間，觀眾受邀使用現場提供的貼紙材料，透過剪裁與拼貼的動作進行集體創作。每一位在地居民與遊客對「鹽水」的記憶與想像，轉化為無數彩色像素，在水流與時間的推移中層層堆疊；最終與周遭環境相互輝映，共構出一幅屬於此時此地、具備「共時性」的集體地景。
莊志維畢業於臺北藝術大學新媒體藝術研究所和交通大學建築所，現任臺北藝術大學新媒體藝術學系兼任講師。其創作背景橫跨視覺設計、建築與當代藝術；擅長運用光與空間裝置，探討人、環境與場域間的互動關係。作品致力於跨領域媒材的實驗融合，展現理性與感性並存的獨特美學。
Design concept｜
This participatory light installation invites public involvement. Positioned along the Yuejin river park, the work unfolds like a white scroll awaiting inscription. During the exhibition, visitors are invited to engage in collective creation using provided adhesive vinyl. Through the tactile acts of cutting and pasting, the imagery continuously evolves. Each resident’s and traveler’s impression of Yanshuei accumulates like pixels, gradually forming a collective image shaped by time and environment — a synchronous vision unique to this place and moment.
Chuang Chih Wei, a graduate of the Graduate Institute of New Media Art at Taipei National University of the Arts and the Institute of Architecture at National Yang Ming Chiao Tung University, is currently serving as an adjunct lecturer in the Department of New Media Arts at Taipei National University of the Arts. His cross-disciplinary practice combines visual design, installation, and architecture, exploring relationships between human, environment, and space.
A13 雲貓串遊 Wandering Journey of Cloud Cat
創作者｜吳騏57
Creator｜57 ART Studio
創作理念｜
我是一朵雲貓，總愛到處串門子，
承載著鹽水的日常。蜂炮的光、月津港的水影、
鳥兒捎來的呢喃，凝聚成了祈願與想像。
化為藝術的形體，將這片土地的故事，
投射向無垠天空。
吳騏57的藝術創作範圍涵蓋 IP角色、裝置藝術與插畫、設計，風格童趣奇幻，擅長將插畫藝術延伸至多元媒材及場域，展現獨特視覺敘事力。作品涵蓋大型公共藝術裝置與出版品、包裝設計、品牌聯名，積極參與藝術駐村，並將插畫轉譯於壁畫、陶藝、服裝、大型裝置等形式，呈現創作語彙的高度多元化，透過跨界合作，探索視覺設計在公共空間與大眾日常中的更多可能。
Design concept｜
“I am a cloud cat, always wandering from place to place, carrying the everyday life of Yanshuei. The glow of firecrackers, the reflections of Yuejin Harbor, the whispers carried by birds — all converge into prayers and imagination. Taking artistic form, these stories of the land are projected toward the endless sky.”
57 ART Studio (Wu Chi) works across IP character creation, installation, illustration, and design. Known for its whimsical and fantastical style, the studio extends illustration into diverse media and spaces, actively engaging in cross-disciplinary collaborations and exploring new possibilities for visual storytelling within public space and everyday life.
A14 飄落一片光景 A Falling Fragment of Lightscape
創作者｜禹禹藝術工作室
Creator｜YuYu Art Studio
創作理念｜
彎月與雲朵以竹材與霧氣構成，輕輕飄落在水面。當人們走上橋面，霧光在腳邊升起，瀰漫於空氣之中。月光的弧線與霧氣的柔軟，形成一個介於虛幻與真實之間的感知場。觀眾在其中穿行時，能感受到空間似乎正在呼吸，光隨步伐微微變化，帶出時間的節奏。作品以簡潔的結構捕捉夜的靜謐，讓光與霧化為一種可被體驗的存在狀態。
來自臺南鹽水的「禹禹藝術工作室」，長期關注地方文化，以探索人與土地及自然間的深刻連結為創作核心。團隊善用竹材與複合媒材，發揮材料本身的獨特特性，追求極簡的雕塑性。藉由作品創造空間、光與人的多層次的感知場域，呈現純粹的美感、深刻的連結與體驗。
Design concept｜
A crescent moon and clouds, woven from bamboo and mist, gently descend upon the water. As people walk across the bridge, mist with soft light rises around their feet and fills the air. The arc of moonlight and the tenderness of mist create a perceptual field between reality and illusion. Within this space, the environment seems to breathe, and light subtly shifts with each step, revealing the rhythm of time. Through simple structures, the work captures the stillness of the night and transforms light and mist into an experienceable presence.
YuYu Art Studio, based in Yanshuei, Tainan, focuses on local cultural narratives and the connection between humans, land, and nature. The team skillfully employs bamboo and mixed materials to create minimalist sculptural forms that foster multi-layered sensory experiences.
A15 蟄伏III - 水月 Dormant III – Shuiyue
創作者｜丁建中
Creator｜Ding Chien Chung
創作理念｜
作品以鹽水月津港的水文地景為靈感，運用弧形結構交織成如潮汐般的律動之門。日落時分，光影透過層疊的半透明幕面折射與映照，形成如水波般的流動幻象。觀者隨步伐穿行於光與影的縫隙之間，感受時間與空間的交錯。此裝置寓意港灣與人群間的連結，如同光潮不斷湧動，承載在地歷史與當下的共同記憶。
藝術家丁建中以「光」作為常用的媒材串連出創作的軸線，並呼應空間與時間之關係。作品中徒勞的詩意，及尋找日常化與標準化的陌生感，給予觀者對於生活系統的另種觀點。近年作品純粹回應所處空間下的自然狀態，並將對光的處理擴張出包含溫度、濕度、觸覺與動態中，與觀者自身的身體、記憶之關係。
Design concept｜
Inspired by the hydrological landscape of Yuejin Harbor, curved structures interweave into a rhythmic gate reminiscent of tidal movement. At dusk, light refracts through layered translucent surfaces, forming flowing illusions like rippling water. Visitors walk through the gaps between light and shadow, experiencing the interlacing of time and space. This installation symbolizes the connection between the harbor and its people, carrying shared memories of history and the present like an eternal tide of light.
Ding Chien Chung frequently uses light as a primary medium, exploring the relationship between space and time. His works embody poetic tension and unfamiliar perspectives on daily systems, inviting viewers to reconsider their perception of life and environment.
A16 呼吸 Breath
創作者｜朴奉伎
Creator｜ Bonggi Park
創作理念｜
在橋上，一道由光構成的有機形體隨節奏閃爍，像是在吐納模擬生命的呼吸節奏，也暗示人與環境間看不見的互動能量。觀眾行經其中，能感受到一種極度緩慢的節奏，提醒我們在快速的世界中重新感知時間。藝術家提供了一個空間，讓我們可以在類似自然的作品中停留和沈思，並深刻地感受到我們與世界一起呼吸。作品以最基本的生命動作作為出發點，將「呼吸」化為自然節律與數位節拍交錯成新的生命場，彷彿資料在空氣中流動，也讓人意識到自己正是系統的一部分。
來自南韓的朴奉伎 (Bonggi Park)，其創作與自然密不可分：他運用自然素材，在自然中探討自然。30年來他的作品主要創作於戶外，或是在自然友善的空間中。而他創作出的作品也成了另一個自然空間，為觀者提供靜謐的休憩之所。透過這些雕塑，傳遞朴奉伎自童年起學習和體驗的來自自然的慰藉和情感的休憩。
Design concept｜
On the bridge, an organic form composed of light flickers in rhythm, as if inhaling and exhaling — simulating the cadence of life’s breath and suggesting the invisible energy of interaction between humans and their environment. As visitors move through the work, they encounter an exceptionally slow tempo, reminding us to relearn our sense of time within an accelerated world.The artist offers a space in which we may pause and contemplate, lingering within a work that echoes the qualities of nature and deeply sensing how we breathe together with the world. Transforming the most fundamental act of life into shared perception, the work weaves natural rhythms and digital beats into a new life field, revealing each viewer as part of the greater system.
Bonggi Park from South Korea draws deeply from nature in his practice, using natural materials to explore nature within nature. Over 30 years, his outdoor works have created tranquil spaces for reflection, offering solace drawn from childhood memories and experiences with the natural world.
A17 海上的煙火 Fireworks on the Sea
創作者｜有肩膀工作室
Creator｜ Haveshoulder Art Studio
創作理念｜
光從水底緩緩升起，像深海生物釋放出的訊號，在夜色裡綻放又消散。靈感取自深海「放散蟲」的構造，藝術家想像自己潛入看不見的世界，將那份潛伏的光帶回現實。作品以發光體呈現生命在極端環境中的延續，也象徵人類對未知的探索慾望。這些光的閃爍如同儲存在雲端中的記憶碎片，短暫而永恆，在水面上重組成時間的火花。
藝術團隊「有肩膀工作室」成員有張文堅、黃姿瑜兩位藝術創作者，基於美術系的背景，主要從事裝置藝術、立體雕塑等創作。
Design concept｜
Light slowly rises from beneath the water, like signals from deep-sea organisms, blossoming and fading in the night. Inspired by the structure of radiolarians, the artists imagine diving into an unseen world and bringing its latent light back to reality. These glowing forms symbolize life’s persistence in extreme environments and humanity’s desire to explore the unknown. The flickering lights resemble fragments of memory stored in the cloud, transient yet eternal, reassembling into sparks of time upon the water’s surface.
Haveshoulder Art Studio consists of artists Cheong Man Kin and Huang Tzu Yu, whose practice centers on installation and sculptural works grounded in fine art traditions.
A18 浸漬的 ( ) 線 - Upside Down v2 Multimmersion - Upside Down v2
創作者｜張方禹
Creator｜aka_chang
創作理念｜
垂直的光線穿越空氣與水面，形成上下鏡像的空間。觀眾在其間移動，感知被顛倒、延展，如同在兩個維度間遊走。作品延續藝術家長期從2017年開始以光為媒的實驗計畫，將幾何形的光影排列於自然場域，讓人看見人工光如何改寫地貌。當光被水面反射時，上下世界產生對位與交錯，像資料在雲端複製、映射的過程 — 既真實，又難以觸及。
張方禹擅長運用光線創造奇景。早期以 VJ 的身份進入視覺藝術領域，感受到再複雜絢麗的影像，最終其實是一個光源。於是他開始實驗各種發光媒材與煙霧，透過邏輯性地複製、對稱或不對稱地組合光陣列，觀察其質地、與介質間的關係，乃至影響人類感知的可能，建立與時間、空間、聲音和人有所連結的立體聲光結構。
Design concept｜
Vertical beams of light traverse air and water, forming mirrored spaces above and below. As viewers move through, their perception is inverted and extended, as though wandering between two dimensions. Continuing the artist’s long-term exploration of light since 2017, this work arranges geometric light forms within the natural landscape, questioning how artificial light reshapes terrain. Reflections create a dual world, akin to the duplication and mapping of data within the cloud — both real and elusive.
Aka_chang is known for his mastery of light installations. From his early experience as a VJ, he began exploring luminous materials and smoke, observing how light arrays influence perception and create structures bridging time, space, sound, and human presence.
A19 真實之後 Aftereal
創作者｜千田泰廣
Creator｜ Yasuhiro Chida
創作理念｜
此作品曾於多個重要燈節展出，讓觀者體驗其虛幻的空間。它由一個振動裝置、螢光線和紫外線頻閃燈組成。數百條白色螢光線，每條高速振動的螢光線都會對紫外線頻閃燈做出反應，並發出藍色的光。由於視覺暫留的原理，作品的整個表面看起來彷彿在緩緩波動。這是一場「觀看」的實驗——當光線被打碎、折返，我們所見的不再是物體本身，而是感知的延遲。作品讓人體驗視覺如何成為一種運算，如同在數據流之中生成的幻象。
千田泰廣（Yasuhiro Chida）為國際知名的光藝術家。他以高海拔登山、攀冰等活動的經驗為基礎，創作以「空間意識」和「身體感覺的轉化」為主題的沉浸式藝術裝置。
Design concept｜
This work has been exhibited at major light festivals worldwide, offering viewers an immersive experience of illusionary space. Composed of vibrating devices, fluorescent threads, and ultraviolet strobe lights, hundreds of white threads respond to the strobe and emit blue light. Due to the persistence of vision, the entire surface appears to ripple and undulate. This is an experiment in seeing — when light fractures and reflects, what we perceive is no longer the object itself, but a delay in perception, like an illusion generated within streams of data.
Yasuhiro Chida is an internationally renowned light artist whose immersive installations explore spatial awareness and the transformation of bodily perception, inspired by his experiences in high-altitude climbing and ice climbing.
A20 天體 Celestial Shrine
創作者｜劉佳豪＋黃贊倫
Creator｜ Liu Chia Hao & Huang Tsan Lun
創作理念｜
漂浮於水面的光之結構以傳統廟宇屋脊為形，卻以光流重塑其輪廓。上層的結構描繪信仰空間的形象，下層垂落的水流則映著光持續傾瀉至水面，如能量的流轉，觀眾仿若進入一場水光的儀式。作品將信仰的形體轉化為感知的界面，使神聖不再遙遠，並且在光影中重新被召喚，那是一座漂浮的廟，一個被光重新定義的精神地景。
藝術家劉佳豪運用空間實構思維，引領人們透過身體感知，重新打開與空間的交流互動。黃贊倫則聚焦於透過生物與機械合體／混種等議題，反思人類欲望如何保有其存在的價值和能動空間。
Design concept｜
A luminous structure floats upon the water, shaped after traditional temple roof ridges yet reshaped by flowing light. The upper structure outlines a space of faith, while the lower cascading streams reflect light into the water, symbolizing the circulation of energy. Viewers seem to enter a ritual of water and light, where the sacred is redefined through perception. This floating temple becomes a spiritual landscape reborn through illumination.
Liu Chia Hao emphasizes spatial construction and sensory interaction, guiding audiences toward renewed engagement with space. Huang Tsan Lun focuses on hybrid themes of biology and machinery, reflecting on how human desire negotiates value and agency.
創作理念｜
月津港，自古便是訊息流動的場域。舟楫往來、人群交會，無數故事在水岸之間發生與積累，也在時間中映照出鹽水的生活軌跡與文化記憶。
𝟐𝟎𝟐𝟔月津港燈節主視覺，以「波紋中的訊號」為發想，將河道上的水面波動轉化為層層脈動的光影線條。起伏如水紋般擴散，也如訊號般在空間中流動，勾勒出月津港於夜色中持續生成的風景。
場域之中，觀眾如同光的粒子，行走、停留，隨光影的節奏移動。 風景不再固定於某一刻，而是在不斷出現與消散之間，被反覆感知；如同昔日港灣中的往來交流，在時間之中，悄然留下屬於自己的光景片段。
Design concept｜
Yuejin Harbor has been a hub of flowing information since ancient times. With boats passing through and crowds converging, countless stories have unfolded and accumulated along its banks, reflecting the living pulses and cultural memories of Yanshui over time.
The key visual for the 2026 Yuejin Lantern Festival is inspired by "Signals in the Ripples." It transforms the undulating water surface into rhythmic layers of light and shadow. These fluctuations spread like ripples and flow through space like signals, sketching a landscape that continuously evolves within the night of the harbor.
Within this space, visitors are like particles of light—moving, pausing, and drifting with the rhythm of the illumination. The scenery is no longer fixed in a single moment; instead, it is perceived repeatedly between the states of appearing and vanishing. Much like the historical exchanges within the old harbor, these moments quietly leave behind fragments of light that belong to the passage of time.
Design & merchandise :
提燈設計 Handheld Lantern Design
創作者｜ 林品毅
Creator｜ Tno Lin
創作理念｜
在繁忙的日常之間，我們總需要一片柔軟的雲。
⽉津港因其水域地形如彎月而得名，⼜稱「⽉港」，回顧鹽水與月津港歷史，宛如⼀段⽉亮傳說：⽉津港是照亮鹽⽔的明⽉，帶來絢爛迷⼈的繁華，而今，那段繁華已如輕盈的流雲，緩緩飄過時光的天空，只留下月港靜謐的倒影，承載著歲月的溫柔。
雲寶
雲朵造型的提燈，材質是可透光合成紙，讓民眾自行組裝，讓大家帶一朵雲回家～雲寶是以擬人化的可愛表情設計，正反兩面分別是白天黑夜的雲，分別是太陽和彩虹，閃電、月亮及星光點點，還有一個小巧思是提燈底部可以透出星星投影在地上。
Design concept｜
Amidst the hustle and bustle of daily life, we all need a soft cloud to lean on.
Yuejin Harbor, named for its crescent-moon-shaped waters, is also known as 'Moon Harbor.' Looking back at the history of Yanshui and Yuejin, it feels like a lunar legend: Yuejin Harbor was the bright moon that illuminated Yanshui, bringing a dazzling and enchanting prosperity. Today, that era of splendor has transformed into a light, drifting cloud, floating slowly across the sky of time, leaving behind the tranquil reflection of Moon Harbor—a gentle vessel for the passage of years.
Yun-Bao (Cloudie)
A cloud-shaped lantern crafted from translucent synthetic paper, designed for people to assemble themselves and "bring a cloud home."Yun-Bao features an adorable, anthropomorphic face with a dual-sided design representing Day and Night:
The Day Side: Features the sun and a vibrant rainbow.
The Night Side: Adorned with lightning, the moon, and shimmering starlight.
A Little Surprise: The bottom of the lantern is cleverly designed to project a starry pattern onto the ground as you walk, scattering starlight beneath your feet.