2021 漁光島藝術節 - 安棲之嶼
2020 年因氣候變遷、新冠肺炎疫情等因素，導致全球局勢陷入了動盪不安的狀態。今年，漁光島藝術節為回應疫情帶來的不安，所設定的展覽主題為「安棲之嶼」，意指一個可以天人共存、主體可以安身立命的棲居之地。將展覽鎖定在「療癒」二字，以島嶼的自然環境本質出發，沙灘、樹林、夕陽、浪花為展場，邀請13組藝術家結合環境特質，形塑各類的療癒空間，聚焦於感受漁光島環境的反應、個人敘事、與藝術不管對於藝術家本身或者觀者療癒的面向。藝術節期間並規畫各類演出及工作坊、市集、餐桌計畫、小旅行等，讓參與者以多種面向感受漁光島的美好風光及人文生活內涵，期待人們都能在這大隱於市的小島中找到心靈療癒的安棲之地。
exhibition :
Yuguang Island Festival
In 2020, the world was mired in turmoil due to factors such as climate change and COVID-19, among others. This year, in response to the pandemic, the Yuguang Island Art Festival set "Dwelling On the Island" as its theme for the exhibition, referring to a place where nature and man coexist, where one can settle their body and spirit. The exhibition centers around the words "to heal". Beginning with the natural environment of the island, the beach, the woods, the sunset, and the waves form the exhibition hall. The festival invites 13 artist groups to transform the environment and fashion a space for healing to call their own. And in this space, the emphasis is placed on the artists' response to and narrative of their Yuguang Island experience, and how art heals, whether it's the artists themselves or the audience. During the Art Festival, there will be various performances, workshops, markets, dining in nature, and excursions that will let the public experience the wonderful scenery and cultural living of Yuguang Island from different perspectives. We also hope that each and everyone who visits Yuguang Island can find, through transitioning and healing, their own dwelling, where each can settle their body and mind.
展覽資訊
展期： 2021 / 03 / 27 – 04 / 18
開幕： 2021 / 03 / 27 16:00 - 17:30
地點： 漁光島, 台南市安平區
Exhibition information
Duration：2021 / 03 / 27 – 04 / 18
Opening Event： 2021 / 03 / 27 - 17:30
PM Location：Yuguang Island, Anping District, Tainan
策展規劃執行｜都市藝術工作室 UrbanART Studio
藝術總監｜杜昭賢
專案企劃｜高辰寧、許蕎
活動統籌｜許蕎
專案執行｜ 高辰寧、許蕎、許竣徨、楊雅竹
整體視覺統籌｜一件設計工作室
展務執行｜侯姿華、林品毅
媒體宣傳｜綦守鈺
攝影｜FIXER Photographic Studio 定影影像工作室
影片製作｜調視映画-Film Studio、本事文化
這是一個與環境對話的現地創作，在作品中往天空的方向看，頭頂上針織網的擺動將無形的風視覺化，海浪與風的相互作用使針織網的擺動更加明顯，而平衡風動網的是在台灣南部各地蒐集而來的來自各國的海洋廢棄浮球，它們的飄動也象徵著全球海洋環境本為一體的關係。作品的另一端木平台延伸至海，在這裡，人彷彿可以走入海中央，明顯感受到海浪的波動與被海包圍的感覺。透由此作品讓觀者感受風與浪與海的關係，感受其相互作用，讓人在浪裡，也在風裡，安然而適。
In the darkness, light allowed the pool to reflect its surrounding environment, initially, they are of rigorous geometric shape and the mirrored surface conveys an orderly message. However, once the wave and ripples appear on the mirrored water surface, the lines and shapes also oscillate and distort, and the pristine environment becomes chaotic. Between order and disorder, reality and interpretation begin a dialogue.
Society functions under rules that are defined by humans, but sudden changes in the natural environment can create ripples in the original calm state and interrupt all rules in an instant. Audio and light elements in the work mark the transition from a serene to a chaotic state and then returning to tranquility again as if returning after a catastrophe. Humans often believe that they control the land, but once compared to the changes of the land it seems to be even more insignificant.
聲音地誌 Sound Geography
藝術家浸潤在島上空間，將「海浪拍打消波塊」、「風吹木麻黃樹林」等聲響化為素描，筆觸延伸成主視覺的設計。在展期間也持續創作，將島內的聲音、人物故事轉化為手繪、攝影、文字，作為聲音地誌系列作品。
The festival has invited the artist Chih-Hung Liu to immerse himself in the island and transform sounds such as "waves against the wave breaker", and "wind through a forest of whistling pines" into sketches. His strokes are extended to become the design for the main visuals. Over the course of the festival, Liu will continue to create, recreating the sounds on the island the story of its people as sketches, photos, and texts as part of the Sound Geography series.
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